A Shepherd Playing Music and a Sleeping Woman
- Object belonging
- One's own
- Category
- Terracotta sculpture
- City
- Rome
- Location
- Museo Nazionale del Palazzo di Venezia
- Specific location
- Stored at the Museo di Roma in Palazzo Braschi, floor II, room 35/B
- Inventory
- PV 10382
- Material and technique
- Terracotta
- Author
- Bartolomeo Pinelli (1781-1835)
- Dating
- 1833
- Dimensions
- 30x38x17
- Origin
- Evan Gorga Collection
- Image copyright
- SSPSAE e per il Polo Museale della città di Roma
Short description
Bartolomeo Pinelli’s reputation derives principally from his vast number of pictorial works inspired by Rome and from his tantalizing evocations of the city in numerous watercolours, drawings and prints. Just as important was his, albeit less numerous, production of terracottas, with which Pinelli worked from the start of his career, making around 30 small-scale sculptures, usually signed and dated. Oreste Raggi, the most important of Pinelli’s biographers, noted that the artist “made, in his final days, many small groups out of clay, depicting modern dress, which he sold, as usual, for an extremely modest price. […] His method of sculpting is pleasing because his spirit, his passion and his sure touch run through every work”. Pinelli had intended to make one hundred sculptures but only completed 29 and in 1834 he executed a series of engravings (groups modelled in terracotta by Pinelli and etched by the artist too). A significant nucleus of these works came to Palazzo Venezia at two different points: 6 sculptures were given by the Museo Nazionale di Castel Sant’Angelo in 1920, while 4 others, which formed part of the collection of Evangelista Gorga, were acquired by the state in 1948. There are numerous pastoral scenes like the present work, idyllic little pictures whose iconography, in one case at least (PV 1834), is similar to that of the Holy Family in depictions of the Rest on the Flight into Egypt.
Cristiano Giometti
Bibliography
A. Santangelo (ed.), Museo di Palazzo Venezia. Catalogo delle sculture, Roma 1954, p. 76